18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Carry your character’s face onto new stills and keep a series one traveller. face_swap_pro at 26 credits, with a matching guide.
A face swap sets the face from a source image onto a target frame. In the language of this board, it is a through ticket: the woman your audience knows — her face, kept in one clean source file — rides onto new poses, new dresses and new platforms without the generator being re-briefed and left to guess whether she shows up. It runs on the face_swap_pro model at 26 credits a job, posted before you confirm.
The system that makes it work is unglamorous: one source file, treated like a season pass. A single front-facing portrait, evenly lit, expression unhurried. Every swap in the series draws on that same file, so stills made months apart still present the same traveller at the gate. Swap the source casually and the series quietly becomes two similar women sharing a wardrobe.
A single front-facing portrait, evenly lit, face clear. This file is capital. Keep its best version and let no other file do its job.
A similar head angle. Light falling from the same side. Agreement between source and target is what makes a swap invisible at a glance.
A short pass through the editor, matching light and colour, so the frame sits quietly beside its neighbours on the platform.
Seasonal sets, themed packs, changed locations — all of them unmistakably the same woman, whatever the board announces.
A pose you value, rendered off character. Settle the anchor face into it rather than re-running the whole departure.
Pack covers carry the same face as the contents, so a preview never promises a traveller who never boards.
“Source: the anchor portrait, front-facing, lounge light. Target: the new bench frame under the station clock, three-quarter view, warm light from the left.”
Angles within roughly thirty degrees and light from the same side: the two conditions that decide whether a swap disappears.
“Source: the same anchor portrait. Target: the premium cover frame whose face drifted, matched for colour in the editor afterwards.”
The rescue is timetabled like any other job — swap first, grade second, and the cover rejoins the series it fronts.
| Factor | Agrees | Strains |
|---|---|---|
| Head angle | Within roughly thirty degrees of the source | A profile target against a front source |
| Light | Same side, similar softness | Hard side light against flat frontal light |
| Resolution | Source at least as large as the face it fills | A small source stretched over a large face |
| Obstruction | The face clear | Hair, hands or props crossing it |
Your own. A fictional character you created. Or an adult’s, with documented consent. A real person’s face without consent is prohibited, without exception.
The check-in pays for a standard image each day; swaps run at 26 credits a job, posted before you confirm. Saving check-in credits toward a swap is a perfectly good timetable.
Consistency is a habit before it is a result. One clean source, used every time, is what makes a series read as one traveller.
The angle or the light disagreed between source and target. Match those first; grade with the editor afterwards.
Yes. The video face swap carries the same face through a clip, priced by length and resolution.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator