18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Repair wardrobe, setting and light on frames that nearly arrived. One announced change per job, 21 credits, originals preserved.
Every set has frames that nearly arrived. The pose held. The light was true. The dress belongs to another pack, or the lounge should have been a hotel suite. The editor exists for those frames: announce the change in plain words — wardrobe, setting, light, a single detail — and the frame is re-rendered with that change made and everything else left standing at the platform. Editing costs 21 credits a job, posted before you confirm, and the original is never altered: it waits in your account beside its repaired twin.
The discipline that keeps repairs cheap is the same one that keeps a timetable readable: one announced change per service. A wardrobe change with the pose and light explicitly protected is a repair. A new dress, a new room and a new pose announced together is a fresh departure wearing a repair’s fare, and it will drift like one.
Strong bones, wrong details. A frame whose composition failed outright costs more to repair than to re-run, and the depot is not where pride should be spent.
A single instruction keeps the rest of the frame still and the fare predictable. Read the announcement back before confirming, the way staff read back a platform change.
Original and repair wait together in your account. Ship the better one. The other costs nothing further and asks nothing of you.
The same pose dressed for three different packs. The fastest multiplication a catalogue can run.
Lounge to hotel suite to bare studio wall, without moving the woman or the light that holds her.
Daylight to evening, flat to dramatic — a frame re-graded so it sits quietly among the set it is joining.
“Change the teal satin robe to burgundy lace. Keep the pose, the topknot and the platform light exactly as they are.”
The change is named and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work like a locked door.
“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”
One environment, re-platformed once. A new room, a new dress and a new pose in a single announcement is a new photograph and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones and costs less than a re-run |
| The composition itself missed its stop | Re-run the frame with a corrected brief |
| One keeper, three packs waiting | Edit three times from the one keeper |
21 credits per job, posted before you confirm. Repairing a keeper at the depot is normally cheaper than re-running and re-inspecting a whole set.
No. The repair is a new frame. The original waits untouched, and both remain yours.
One. Stacked changes unsettle exactly the parts you asked to keep, and the frame drifts off timetable.
Yes — your own photographs, under the same consent rules as every upload on the network.
Narrow the announcement, and name what must stay identical. Vagueness is the usual cause of a drifting repair.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator